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	<title>FRICTION NYC &#187; delta</title>
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	<link>http://frictionnyc.com/blog</link>
	<description>is a NYC music and culture blog.   We also put on live music shows.</description>
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		<title>Skip James: 1931 Sessions (Mississippi Records)</title>
		<link>http://frictionnyc.com/blog/index.php/2008/07/02/skip-james-1931-sessions-mississippi-records/</link>
		<comments>http://frictionnyc.com/blog/index.php/2008/07/02/skip-james-1931-sessions-mississippi-records/#comments</comments>
		<pubDate>Wed, 02 Jul 2008 20:47:20 +0000</pubDate>
		<dc:creator>justin</dc:creator>
				<category><![CDATA[blues]]></category>
		<category><![CDATA[delta]]></category>
		<category><![CDATA[piedmont]]></category>

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		<description><![CDATA[Listening to the eighteen surviving tracks from Skip James’ 1931 recording sessions in Grafton, Wisconsin give a sense of nostalgia. Clicks, hisses, and pops of muffled seventy-year old vinyl along with James’ frail falsetto create an evocative, otherworldly atmosphere highlighted by his unique self-invented three-finger picking style. A mixture of delta and piedmont blues, James’ [...]]]></description>
			<content:encoded><![CDATA[<p><center><img src='http://frictionnyc.com/blog/wp-content/uploads/2008/07/john_hurt__skip_james.jpg' alt='JOHN HURT &#038; SKIP JAMES' /></center></p>
<p>Listening to the eighteen surviving tracks from <a href="http://en.wikipedia.org/wiki/Skip_James"target="_blank">Skip James</a>’ 1931 recording sessions in Grafton, Wisconsin give a sense of nostalgia.  Clicks, hisses, and pops of muffled seventy-year old vinyl along with James’ frail falsetto create an evocative, otherworldly atmosphere highlighted by his unique self-invented three-finger picking style.  A mixture of delta and piedmont blues, James’ music is haunting, desolate, and achingly beautiful &#8211; the world just kind of stops and floats every time I listen to it.</p>
<p>Fortunately, the good people at Mississippi Records have taken their shot at reissuing twelve of James’ earliest recordings and released them in the form of <strong><em>1931 Sessions</em></strong>.  Known for their exquisitely designed and packaged obscure blues, folk, world, and R&#038;B compilations, Mississippi doesn’t disappoint with this compilation.  Tonevendor boasts this comp has &#8220;better sound quality than any reissue they&#8217;ve heard&#8230;it is Skip James though, so expect pops and crackles.&#8221;  A rarely seen photo of James’ is hand glued to each album cover.  Highly recommended.</p>
<p><a href="http://frictionnyc.com/blog/wp-content/uploads/2008/07/1931_sessions_back.jpg"target="_blank">Tracklisting</a>: Side A: “I’m So Glad”, “Cypress Grove”, “If You Haven’t Any Hay (Get on Down the Road)”, “Drunken Spree”, “Yola My Blues Away”, “Devil Got My Woman”, Side B: “Hard Time Killin’ Floor Blues”, “Jesus Is a Mighty Good Leader”, “Special Rider Blues”, “How Long?”, “Jesus is Gonna Come”, “Illinois Blues”</p>
<p>Order <em>1931 Sessions</em> and other Mississippi Records releases from <a href="http://www.forcedexposure.com/Labels/mississippi.records.html"target="_blank">Forced Exposure</a>.</p>
<p><strong>[MP3]:</strong> <a href="http://frictionnyc.com/blog/downloads/hardtimekillinfloorblues.mp3"><strong>Skip James &nbsp;&#8221;Hard Time Killin&#8217; Floor Blues&#8221;</strong></a><br />
<em>The Complete Early Recordings of Skip James, Yazoo; 1994</em></p>
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